This means that a fast melody can transition between sounds in a really unique way. For leads, you can set the morph to occur from one cell to the next very quickly. Really slow morphs on pads that transition in pitch and cutoff sound very dynamic. The morphing modulations are fantastic for making interesting pads and leads that evolve over time. The morph function looks like it would be good at evolving pad type sounds, what other applications do you think that could have? Morph between wildly different synth tones to get a jarring swoosh or swell. It’s also very useful for creating bizarre sound effects that might be used in a transition or intro/outro section of a song. The keyboard controls allow you to easily change speed, quantization, and direction of the morph. I like that you can create several variations of a transitioning morph pad on different Blocks and then use the keyboard to trigger the individual Blocks. I’ve mainly used it to program evolving pads and ambient soundscapes. What are some interesting ways you’ve found to make use of that function? It seems like the modulation options really work in tandem with the Komplete Kontrol and Rounds. Rounds Synthesizer Tutorial Q&A w/ Matt Cellitti Sound Design with Komplete classes start 10/20 in NYC, 10/4 in LA, and Online! Enroll Now! Native Instruments Komplete 10 – Video Tutorial Week w/ Matt Cellitti: Ep 2.

In episode 2, Dubspot instructor Matt Cellitti goes deeper into Rounds for the modulation, sequencing, and arpeggiator modes. This week is Komplete week! Each day we will introduce a new tutorial video each day highlighting a new feature of Native Instruments Komplete 10.

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